A Comparison Of Miss Emily And Phoenix Jackson Essays

A Comparison Of Miss Emily And Phoenix Jackson Essays Despite the fact that they composed during generally a similar timespan and are both dependent on Southern culture, William Faulkner's A Rose for Emily and Eudora Welty's A Worn Path are totally different from various perspectives, from the tone of the accounts to the story style utilized. Perhaps the most ideal approaches to take a gander at these distinctions is by looking at the chief characters in the accounts. Miss Emily and Phoenix Jackson are both, in various ways, terrible figures. Nonetheless, a cautious assessment of these two ladies uncovers that, while the deplorability of Miss Emily is based on despair, that of Phoenix Jackson has a proportion of expectation. At the point when the character of Miss Emily is acquainted by Faulkner with the peruser in the main area of the story, it is following her passing. The story voice of the townspeople at that point depicts Emily and her unconventional ways. Emily was seen by the town as an admired and regarded individual from the network dependent on her family's long history and conspicuousness in the town. In any case, her family's fortunes have tumbled to such a degree, that the town, in the individual of Colonel Sartorius, needed to set up a face sparing route for her not to make good on charges (Faulkner 120). As the story continues, Faulkner moves the peruser to and fro in the course of events of Miss Emily's life. The deplorability of that life, wherein Emily's dad keeps her from having a full existence with a spouse and kids, is uncovered more by the thoughts and tattle of the townspeople than by Emily herself. At the point when Emily's dad bites the dust, she appears for a second to have trust later on when she meets Homer Barron. Be that as it may, this expectation is immediately squashed, both by the preferences of the townspeople and the exposure that Homer is no doubt gay (Faulkner 126). Indeed, even with the stunning disclosure toward the end, Emily appears to be a messed up, harmed figure all through the story. In huge part, the harmed Emily is by all accounts a result of the severe shows and desires for Southern culture for high society white ladies. Emily's dad impedes her endeavors at finding a spouse since none of the admirers is sufficient for the family. Afterward, the townspeople likewise see Homer Barron as being underneath Emily's station throughout everyday life. In A Worn Path, Phoenix Jackson shows up as an extremely old person of color who has set out on a long stroll to town. In this story, we have a solitary account voice all through. As it were, this makes it simpler to analyze the character of the fundamental hero, Phoenix Jackson. Be that as it may, similarly as with Miss Emily, there is more going on with the character than is clear from the start. As with the A Rose for Emily, there is a riddle associated with A Worn Path. This mystery is the purpose behind Phoenix Jackson's excursion into town. The title appears to infer this is an excursion the elderly person has made ordinarily previously. As Phoenix Jackson goes to the town, she is uncovers a quality and assurance that Miss Emily was totally inadequate. She experiences different snags en route and conquers them all. Like Emily, Jackson is fixed in by social desires. For her situation, these desires depend on racial partiality and generalizations. The associations of Phoenix Jackson and Emily with everyone around them additionally stand apart as a significant contrast between the two characters. Generally, Emily is detached. Emily once in a while addresses others straightforwardly in her story, and when she does, it is to excuse the worries of the individuals addressing her. One case of this can be seen when Emily will not address the representative's inquiry concerning what she needs the rodent poison for (Faulkner 124). Another model is when Emily has her dark hireling appear out the duty gatherers, advising then to address the long dead Colonel Sartorius about the issue (Faulkner 120). Truth be told, as her story advances, Emily turns out to be much increasingly expelled from the town and its occupants. All things considered, the townspeople, at any rate when they are talking legitimately to her, are conscious to Emily. Phoenix Jackson's associations with the individuals she meets are altogether different. A portion of these communications are horrendous, while others are less so. A great part of the excursion spins around the snags in her manner, for example, the high slope she needs to move with her stick or the brook she needs to cross. Despite the fact that the peruser has no clue until the end why Jackson is strolling to town, you start to appreciate her hounded assurance to arrive. At a certain point in her excursion, a tracker tongue in cheek (or is it a joke?) compromises Jackson with his weapon and advises she to abandon her arrangement to stroll to town. Both with his hateful words and with the weapon, the tracker is by all accounts helping Jackson to remember her situation in the plan of things by proposing she has no motivation to get down to business (Welty 153). An intriguing point with regards to A Worn Path is when Jackson, subsequent to intersection the spring, rests for a period under some mistletoe. Here, she appears to have either a fantasy or a daydream about a kid who gives her some cake. At the point when she goes after the cake it is no more. This interesting part of the story appears to play on the Christmas subject in A Worn Path. Jackson herself can be viewed as an illustration for the enduring Christ as she voyages her street, and the cake is emblematic of (so far) hidden trusts later on (Piwinski 40). Pride is a typical factor in these two characters, however the pride shows itself in totally various manners for the Emily and Phoenix Jackson. In Emily, the pride depends on a position and social standing that is established previously. Despite the fact that the truth of her circumstance, with her decrepit house and absence of cash, causes this pride to appear to be senseless, she sticks to it. The awful thing she does when she kills Homer is as much dependent on this pride for what it's worth on her depression (Getty 231). Phoenix Jackson's pride is put together not with respect to the past in which she was obviously a slave, or on the present wherein she is treated as a peasant, yet rather later on. The direct way she strolls into town, and the obstructions she survives, speak to this expectation for what's to come. In the connection about her grandson, the peruser additionally observes expectation and positive thinking. The physical portrayals of Emily and Phoenix Jackson on a superficial level appear to have a few similitudes. In those pieces of the story that show Emily in later life, she is a worn out looking more seasoned lady, and is portrayed as dark and spooky. She appears as worn and deathlike as the house she lives in. Jackson is likewise exceptionally old in A Worn Path. She strolls with a stick, and her face is lined and wrinkled. As she strolls, she gives each sign that her life in slowing down, for example, when she can scarcely make it up the slope or when she imagines that alls the snags are advising her to stop (Welty, 151). Be that as it may, the period of Jackson as depicted in A Worn Part is not the same as Emily's. While Emily is by all accounts scarcely alive as she travels through the town, Jackson appears to brilliant life and vitality in spite of her physical constraints. From this discerning, Jackson's age is simply physical, while Emily's age likewise includes a matured and tired soul. Despite the fact that the area and timeframe for A Worn Path and A Rose for Emily or generally the equivalent and the two stories relate sad conditions, the peruser leaves them having gained altogether different emotions. In A Rose for Emily, the character of Emily is totally deplorable and shows the madness to which despondency and forlornness can drive an individual. From numerous points of view, the catastrophe and agony in A Worn Path is considerably more noteworthy, yet the character of Phoenix Jackson changes this disaster into something respectable and confident. Works Cited Faulkner, William. A Rose for Emily. Collected Stories of William Faulkner. New York: Random House, 1950. 119-130. Getty, Laura J. Faulkner's A Rose for Emily. The Explicator 63. 4 (Summer 2005): 230-234. Piwinski, David J. Mistletoe in Eudora Welty's A Worn Path ANQ 16. 1 (Winter 2003): 40-42. Welty, Eudora. A Worn Path. Literature: An Introduction to Writing. Roberts, Edgar V. furthermore, Jacobs, Henry E. New Jersey: Prentice Hall, 2001. 150-155.